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About the Artist
Biography Born at Jemez Pueblo, New Mexico, on July 30, 1948, James has lived in this ancestral community for most of his life. In the village of Jemez, he grew up surrounded by grandparents, aunts, uncles, cousins and extended family, including blood and clan relations. It is from his experiences in a vibrant culture, daily life, and Towa language that James draws his artistic influence. James’ introduction to stone sculpture began through an apprenticeship with friend and well-known sculptor Cliff Fragua starting in 1987. During this study, he recognized his gift for stone carving and creating sculptures in a unique style. Since then, James has enthusiastically depicted glimpses of his life through carvings in alabaster, steatite, marble and other stones. Various bronze sculptures have been cast from his original stone carvings. These incorporate color with different patinas, making every bronze distinct in the edition. James takes much pleasure from carving, and the scope of his work continues to broaden. His work continues to be recognized as evidenced through the numerous awards for his accomplishments.
Process Of My Work A stone carving begins with the choosing of the material, which can be alabaster, marble, limestone or any one of several types of stone. It is then examined for imperfections, which can appear as fractures, inclusions, or discoloration. By using mallets and chisels, the block of stone is then “cleaned up” to remove dirt and unwanted deposits. This process can also begin the initial shaping of the desired form. The carving tools used are chisels of assorted teeth arrangements and chisels with shaped points. These tools can be driven into the stone surface with a mallet to remove material from the surface of the stone. The type of chisel used will determine the depth and amount of material removed. As the process continues, the form of the sculpture will begin to appear. At this point in the carving, the use of smaller toothed chisels is necessary to begin the shaping of smaller details. Stone carving files can now be used in the shaping process. When the final form is achieved, different textures can be used to enhance the finished work. Texture can be sanded, filed, or chiseled onto the surfaces. In some finished work, it is desirable to polish the surface of the stone through use of various oils and waxes.
Resume Awards & Recognitions
Interests & Activities
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James A. Vigil
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